综合介绍或申报理由：
作品1《慢》“位于美?市场地库的??通道区域。作为地库作品群的第1件作品，《慢》以波普化的形式直接地表现了信号灯、指示牌等带有强烈??化意象的符号，辅以灯光跟随的交互形式。不仅创造了醒?、流动的标志性景观，同时把观众引?到地库主题的艺术空间氛围之中。 作品2《呼吸》我们用什么来证明自己活着，我们拿什么来标注轨迹，我们靠什么去寻找自由，作品带来了光、空气、呼吸、这是每个观众内心世界的映射。借由风扇和灯光带来的变化，每个人都沿着自己的轨迹。在光线与空气的呼吸间，留下生命的痕迹。作品3《巢》代表着构建、发展与?活。选?PVC?管这样?常?活中常?的现成品，运?复杂?规范的?式重构，强化了地库本身的?业感属性，同时?点线?的构成?法，将?体的?管与平?墙绘融合，创造?种来??活??超越?活的艺术美感，进?表达当下对于技术与艺术和谐共存的?常?活审美化需求。作品4《流光飞逝》选择重庆极具特?的城市景观——?架桥进?结构化的变形与重构，形成富有解构主义美感的装置作品，辅以代表?辆的动态灯光互动，打造流光?逝的现代都市景观。吻合地库?化意象的同时，表达对于“此时、此地”的关注，对当下城市?活的观察与思考。作品5《遭遇》此作品以?对?的视?拉近观众与作品的距离。模特组成的阵列塑造了城市与群体，AR的交互?段突破了真实世界与虚构空间的局限。在重新构建的虚拟语境中，表达“?与?”、“多与少”、“肤浅与深刻”、“?常与永恒”、“熟悉与陌?”等?盾与突，揭示现实中被惯性忽视的问题，激发观众对于“?我”的关照和审视。 Work 1 "Slow" is located in the entrance passage area of the basement of the U.S. Market. As the first work in the Basement Group, Slow directly represents symbols with strong cultural imagery, such as signal lights and signs, in the form of pop-up, supplemented by the interactive form of light followed. Not only does it create striking, fluid, iconic landscapes, but it also introduces the viewer into the atmosphere of the basement-themed art space.Work 2 "Breathing" What do we use to prove that we are alive, what we take to mark the trajectory, what we rely on to find freedom, the work brings light, air, breath, which is a reflection of the inner world of each audience. With the changes brought about by fans and lights, everyone follows their own trajectory. Between the breathing of light and air, leaving traces of life.Work 3 "Nest" represents construction, development and life. The selection of PVC water pipes, which are commonplaces in daily life, uses complex and standardized methods to reconstruct, strengthens the industrial nature of the basement itself, and at the same time uses the composition of dots and lines to integrate the three-dimensional water pipe and the flat wall painting to create an artistic aesthetic that comes from life and transcends life, and then expresses the current aesthetic needs of daily life for the harmonious coexistence of technology and art. Work 4 "Streamers Fly By" selects Chongqing's most distinctive urban landscape- viaduct for structural deformation and reconstruction, forming an installation work with deconstructivist aesthetics, supplemented by dynamic light interaction representing "vehicles", to create a modern urban landscape with streamers passing away. While conforming to the cultural imagery of the basement, it also expresses the concern for "here and now", and the observation and reflection on the current urban life. Work 5 "Encounter" This work uses one-on-one vision to narrow the distance between the audience and the work. The array of models shapes cities and groups, and AR's means of interaction break through the limitations of the real world and fictional space. In the reconstructed virtual context, the contradictions and surprises such as "big and small", "more and less", "superficial and profound", "everyday and eternal", "familiar and strange" are expressed, revealing the problems that have been habitually ignored in reality, and stimulating the audience's care and examination of "self". Work 2 "Signal" is a "new machine" based on an antique television set. Modify old TVs of different styles, rearrange them, and combine them into the shape of the system through the overall control of the system, thus producing more states. Through the transformation of the old machinery to create the life of the new machine, in this way, through the connection with the present, express the development of technology and the integration of life.

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主要技术参数：

技术及工艺创新要点：
非产品化，原创制作，硬件软件均为非标自主开发编程。

与国内外同类产品或同类技术的比较情况：
与国内外同类作品相比较具有唯一性，独立创新性。

申报单位（或个人）介绍：
是四川美术学院（Sichuan Fine Arts Institute），简称“川美”，位于中央直辖市重庆，是西南地区唯一一所高等美术院校，具有硕士学位授予权和博士学位授予权。学校为中国独立建制的31所普通高等艺术院校之一，中国八大美院之一，重庆市一流学科建设高校、全国深化创新创业教育改革示范高校、“全国创新创业典型经验高校”。2021年成为博士学位授予单位。