综合介绍或申报理由：
旨在为珍贵古董营造适宜的展示氛围，同时为宾客打造舒适、典雅且富有文化底蕴的接待环境。通过灯光，突出古董的细节、纹理与历史韵味，让宾客在欣赏古董时，能清晰感受其艺术价值与岁月沉适的融合之美，也使整个接待厅的空间层次更丰富，尽显古典雅致与现代舒 This design aims to create an appropriate display atmosphere for precious antiques while crafting a comfortable, elegant and culturally rich reception environment for guests. Through lighting, it highlights the details, textures and historical charm of the antiques, allowing guests to clearly perceive the integrated beauty of their artistic value and the sedimentation of time during appreciation. It also enriches the spatial hierarchy of the entire reception hall, fully presenting classical elegance and modern comfort. 本设计方案总体原则针对古董展品，采用重点照明，精准打光，凸显其独特之处；对于接待区域，以柔和的环境照明为主，兼顾功能性与氛围营造。通过主照明、辅助照明和装饰照明的搭配，营造出丰富的光影层次，避免空间照明单调。灯光色调与接待厅整体的暖棕、米黄等复古色调相协调，增强空间的统一感与典雅氛围。选用节能、低眩光的照明灯具，在满足照明需求的同时，保护宾客与古董并减少强光对古董的是损害。 The overall principle of this design scheme is as follows: for antique exhibits, accent lighting with precise beam control is adopted to emphasize their unique features; for the reception area, soft ambient lighting is prioritized to balance functionality and atmosphere creation. The combination of general lighting, auxiliary lighting and decorative lighting creates a rich layering of light and shadow, avoiding monotonous spatial illumination. The lighting color temperature is coordinated with the hall’s overall retro tones such as warm brown and beige, enhancing the spatial unity and elegant ambiance. Energy-efficient and low-glare lighting fixtures are selected to meet illumination needs while protecting both guests and antiques, reducing damage caused by strong light to the antiques.

项目缩略图：

设计图：

主要参数：
照度：
古董展示区域照度控制在200-300勒克斯，确保展品细节清晰可见；接待休闲区域照度为150-200勒克斯，营造舒适放松的氛围；通道等区域照度不低于100勒克斯，保障通行安全。
The illuminance in the antique display area is controlled at 200-300 lux to ensure the clear visibility of exhibit details; the illuminance in the reception and leisure area is 150-200 lux to create a comfortable and relaxing atmosphere;The illuminance in areas such as passages is no less than 100 lux to ensure passage safety.
色温：
整体采用3000K左右的暖色温光源，契合接待厅古典雅致的风格，给人温暖、静谧的感觉。
The overall light source uses a color temperature of around 3000K, which is consistent with the classical and elegant style of the reception hall and gives people a warm and serene feeling.
显色指数：
展品照明灯具的显色指数不低于90，真实还原古董的色彩与质感，让宾客能欣赏到古董最本真的模样。
The color rendering index (CRI) of the lighting fixtures for exhibits is no less than 90, truly restoring the colors and textures of the antiques so that guests can appreciate the most authentic appearance of the antiques.

创新要点：
一、功能与美学的平衡创新
采用无主灯设计的场景化应用，摒弃单一主灯，以洗墙灯、射灯、氛围灯组合，实现“一空间多场景”——白天自然光为主，夜晚可切换为接待模式、展示模式、休憩模式，灯光亮度与色温自适应调整。并将光源隐藏于吊顶凹槽、壁龛、展柜内部，避免眩光与灯具外露，让“光”成为空间的一部分。
I. Balanced Innovation between Function and Aesthetics
The innovative application of scenarized lighting design without a main light abandons the single main light and combines wall - washing lights, spotlights, and ambient lights to achieve the concept of "multiple scenarios in one space". During the day, natural light is the main source, while at night, it can be switched to reception mode, display mode, or rest mode, with the light brightness and color temperature being adjusted adaptively. Moreover, the light sources are hidden inside ceiling grooves, niches, and display cabinets to avoid glare and the exposure of lighting fixtures, integrating "light" into the space.
二、 非线性吊顶的“光影塑形”创新
突破传统平顶与直角吊顶的桎梏，采用流动弧形和波浪形天花作为光影载体。利用隐藏在吊顶凹槽内的线性灯带或灯槽，沿着圆润的曲线边缘延伸。光线漫反射勾勒出天花的流线型轮廓，使静态的建筑结构呈现出动态的流动感，柔化空间棱角。
II. "Light and Shadow Shaping" Innovation of Non - linear Ceilings
This innovation breaks through the constraints of traditional flat and right - angled ceilings, using flowing arcs and wavy ceilings as carriers of light and shadow. Linear light strips or light troughs hidden in the ceiling grooves extend along the smooth curved edges. The diffuse reflection of light outlines the streamlined contour of the ceiling, endowing the static architectural structure with a dynamic sense of flow and softening the edges and corners of the space.
三、东方意境的“光影叙事”重构
利用屏风、博古架等中式隔断的镂空结构，隐藏背光或洗墙灯带。光线透过格栅、花窗或圆形门洞渗透出来，在墙面和地面投射出斑驳的剪影，将东方美学符号转化为现代光影语言，实现“见光不见灯”的含蓄意境。
III. Reconstruction of "Light and Shadow Narrative" with Oriental Connotations
The hollow structures of Chinese - style partitions such as screens and antique display racks are used to hide backlights or wall - washing light strips. Light penetrates through grilles, latticed windows, or circular doorways, projecting mottled silhouettes on the walls and the floor. This transforms the symbols of Oriental aesthetics into modern light and shadow language, achieving the implicit artistic conception of "seeing the light but not the light fixture".

申报单位（或个人）介绍：
河北工业大学由河北省人民政府、天津市人民政府与中华人民共和国教育部共建，是国家“双一流”建设高校、国家“211工程”重点建设高校。